An informal and ongoing journey into the pastoral office and pastoral ministry, where art imitates life and vice versa. Art and aesthetics are gifts from God. This blog will not be limited to those topics, but will affirm and celebrate that truth.
Wednesday, January 28, 2009
Movie Review- Gran Torino
For all intents and purposes, I found Clint Eastwood's latest opus "Gran Torino" to be brilliant. The film is rich with opportunities for dialogue. There are also some wonderful performances, especially by previously unknown actors. (You can read my full review here: http://habakkukscomplaint.blogspot.com/2009/01/movie-review-gran-torino.html). In this post I'll look at some of the theological aspects of the film, as well as give some Gospel handles I found. Maybe you've found some others.
The film preaches very well. By that, I mean there are several scenes which can serve as useful sermon illustrations. I also mean that there are issues with which the average person in the pews might find themselves dealing.
These issues include (but are not limited to) urban decay, racism, aging and family issues, as well as violence in our communities. I realize I'm being vague about this. That's for 2 reasons. One, I think you should see this film, and I don't want to ruin it for you. Two, you (as a pastor or church worker) know your members. I can't tell you how best to minister to them.
GOSPEL HANDLES:
1. Forgiveness is a big deal in this film. It is not limited to simple confession and absolution in the plot. It also focuses on forgiving yourself. This is an important component of human interaction. Eastwood's character does eventually learn the power of forgiveness, even self forgiveness. This demonstrated by how the reading of his will turns out, as well as how he treats his neighbors as the film goes on.
2. At the risk of being a spoiler, I'll tell you that Eastwood's character dies. But he dies so that others will have a better life and will have peace. He sacrifices himself for these other people, even those that reject him at first. Additionally, he realizes that he is the only one who can accomplish this. In other words, a Christ-figure.
CLERGY HANDLES:
There are 2 identifiable clergy figures in the film. One a Roman Catholic priest, the other a Hmong shaman. Both try to understand Eastwood's protagonist. And once they know him, they do a decent job of reading him. This is especially true of the young, fresh-out-of-the-seminary priest. He highlights the importance of caring for all of one's "flock". More than this, he shows the importance of meeting people where they are, but not leaving them there. That's the essence of ministry right there.
As I said before, this is a brilliant film. Is it required viewing? I'm not sure about that. But, I'd recommend it.
Did you catch the fact that when Walt dies, he lands on the ground in the shape of a cross? I thought that was powerful-- dying so that others could live. And that he died with a cigarette in his mouth and his lighter in his hand? His son called the cigarettes "coffin nails". Nails.
I haven't had a chance to see it yet, but I've had several church people point out to me that Lutherans get mentioned as the reason that there are so many Hmong people in the US.
I resisted doing a theological blog for so long. But, here is my contribution to the blogosphere. I love being a Lutheran pastor. I also tend to see life aesthetically. I'm curious to see what will happen when those 2 things collide.
2 comments:
Did you catch the fact that when Walt dies, he lands on the ground in the shape of a cross? I thought that was powerful-- dying so that others could live. And that he died with a cigarette in his mouth and his lighter in his hand? His son called the cigarettes "coffin nails". Nails.
"Greater love has no one than this..."
Doug
I haven't had a chance to see it yet, but I've had several church people point out to me that Lutherans get mentioned as the reason that there are so many Hmong people in the US.
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